There was something deeply unsettling about the way the mirrors kept consuming time. i painted this after discovering that cosmetics could be used as temporal anchors - small offerings left at the altar of tomorrow. the white dress became a surrender flag in this war against predestination. the endless horizons in the mirrors weren't reflections at all, but windows into the inevitability of dawn. every bottle and jar on the floor contained fragments of futures that refused to be prevented..

About the collection

Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.

Produced by EVIN Art Gallery

Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

evin-art.com