The geometry of divinity had always fascinated me. that day, i painted anubis not as the fierce guardian of the underworld, but as a corporate deity trapped in modern purgatory. the faceted surfaces of his form reflected the crushing weight of eternal bureaucracy, while his pristine suit mocked the very mortality he was meant to judge. there was something deliciously wrong about placing an ancient god on cold tiles, making him submit to the banality of our world. the pink suit wasn't a choice - it was a rebellion against the somber expectations of death itself..

About the collection

Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.

Produced by EVIN Art Gallery

Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

evin-art.com