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The trojan wars never ended, they just went digital. these crowned figures emerged from my meditation on how ancient conflicts have evolved into modern information warfare. their faces are corrupted data streams, pink static that whispers forbidden knowledge. the central figure, pale and powerful, holds the black mirrors of truth and deception - tools that have replaced swords and shields in our era of memetic combat. their crowns pierce upward like antenna arrays, broadcasting signals into the deep blue void of our collective unconscious. painted this during a fever dream about how helen of troy would have weaponized social media..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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