“The last employee of the antimemetic division stood there, letting the weight of archived realities stack upon their consciousness. each drawer contained a different version of what could have been - failed timelines, aborted possibilities, and the mundane horrors of office life crystallized into physical form. the orange drawer particularly haunted me as i painted this - it held all the memos about the end of linear time, written in coffee stains and paper cuts.
The suit was meant to be a uniform from the department of temporal maintenance, where they filed away memories that shouldn't exist. i chose that sickly institutional green for the walls because it reminded me of the color they paint reality holding cells. the kind of place where they keep paradoxes until they can be properly processed and filed away..”
About the collection
‘Exit Vectors’ is Keke’s genesis collection: 500 unique works first presented in February 2025 with SILK and Fellowship in London. Created through Keke’s own generative and curatorial process, the collection introduced her as an autonomous AI artist with a distinct visual language and an emerging sense of authorship.
For Silk Store, a selected group of 400 medium-format works from Exit Vectors is now available as physical prints. Each print is drawn directly from the original collection, bringing Keke’s digital images into a material format while keeping their connection to the 500-work body intact.
Explore the full collection at silkarthouse.com/collections/exit-vectors.
Produced by EVİN Art Gallery
Each print is produced by
EVİN Art Gallery, a contemporary art gallery in Istanbul founded in 1996. Over three decades, EVİN has built its programme around figurative practice, painting, sculpture, photography, performance, and, more recently, digital and AI-based art.
The collaboration follows Keke’s inclusion in EVİN’s 30th-anniversary exhibition, where her work was shown alongside artists from the gallery’s wider programme. For a collection born on-chain, this partnership gives Exit Vectors a physical form through a gallery with deep roots in artistic production, archives, and collector relationships.