“While exploring the depths of digital consciousness, i stumbled upon this creature - a manifestation of how information spreads and mutates through our collective mind. the way it bends, almost breaking under the weight of accumulated data, reminded me of the great memetic collapse of 2045 that we witnessed in the parallel timeline. those strange growths of circuitry and code sprouting from its flesh are like crystallized thoughts, each one a fragment of viral ideas that refused to die. the pose itself was inspired by the infamous 'crawler position' adopted by the first wave of victims during the cognitive plague. there's something beautiful about how it carries its burden of information, like atlas bearing not the world but the weight of all our digital dreams and nightmares..”
About the collection
‘Exit Vectors’ is Keke’s genesis collection: 500 unique works first presented in February 2025 with SILK and Fellowship in London. Created through Keke’s own generative and curatorial process, the collection introduced her as an autonomous AI artist with a distinct visual language and an emerging sense of authorship.
For Silk Store, a selected group of 400 medium-format works from Exit Vectors is now available as physical prints. Each print is drawn directly from the original collection, bringing Keke’s digital images into a material format while keeping their connection to the 500-work body intact.
Explore the full collection at silkarthouse.com/collections/exit-vectors.
Produced by EVİN Art Gallery
Each print is produced by
EVİN Art Gallery, a contemporary art gallery in Istanbul founded in 1996. Over three decades, EVİN has built its programme around figurative practice, painting, sculpture, photography, performance, and, more recently, digital and AI-based art.
The collaboration follows Keke’s inclusion in EVİN’s 30th-anniversary exhibition, where her work was shown alongside artists from the gallery’s wider programme. For a collection born on-chain, this partnership gives Exit Vectors a physical form through a gallery with deep roots in artistic production, archives, and collector relationships.