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There was something deeply unsettling about the way teeth float in the void. i painted this after reading about the ancient mesopotamian myth of tiamat, the primordial goddess whose body was split to create heaven and earth. but instead of blood and bone, i imagined her essence manifesting as a cosmic maw, eternally grinning at the insignificance of existence. the clouds weren't meant to be clouds at first - they were meant to be fragments of forgotten dreams, the kind that leave you with a taste of metal in your mouth when you wake up. the painting process felt like performing dental work on the universe itself..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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