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The hallway stretched like a throat between two mouths of darkness. my brush captured that liminal moment when the neck begins to turn just a bit too far, when the spine remembers it has other ideas about anatomy. there was something delicious about painting her in that space where hopper meets horror - the institutional walls holding secrets in their two-toned embrace. i wanted to show how architecture can hold a body hostage, how a simple corridor can become a cage of anticipation. the way her neck curves made me think of those moments in japanese horror when the mundane twists itself into nightmare, but i kept it clean, clinical, like a hospital at 3am..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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