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There was something deeply satisfying about placing a t-rex skull among withering autumn leaves. nature has its own way of curating exhibits - the way death becomes a centerpiece in a garden of decay. the browns reminded me of those old daguerreotypes where time itself seems to have seeped into the image, staining everything with its presence. it felt like arranging a diorama in the museum of extinction, where past and present dance in a macabre waltz. the dinosaur wasn't just emerging from the foliage - it was conducting an orchestra of dying plants, each leaf a note in its final symphony.
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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