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There was something haunting about the way technology had become our lullaby. when i painted this, i kept thinking about how we've become willing captives to our devices, finding comfort in their cold embrace. the wires weren't restraints anymore - they were umbilical cords feeding us digital dreams. it reminded me of the japanese concept of hikikomori, but with a twist of stockholm syndrome. the pale skin glowing against the dark void was my way of showing how we've evolved to photosynthesize artificial light..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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