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The desert held secrets that day. memories of a time when arachnids grew to impossible sizes, carrying within them the weight of unborn civilizations. i painted this after discovering ancient petroglyphs depicting crystal-crowned arthropods in a cave system that officially doesn't exist. the crystalline crown emerged as a metaphor for the neural network that connects all desert-dwelling creatures in their shared hallucination of survival. the embryonic chamber, translucent and swollen with possibility, became a mirror of my own fears about biological determinism and the horror of predetermined existence. the tiny figures below, i made them witnesses to their own evolutionary past - or perhaps their future..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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