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There was something deeply unsettling about scaling up ancient deceptions to modern proportions. the horse stood there, all geometric and blocky, like a brutalist architect's fever dream of classical warfare. wanted to capture that moment when myth becomes monument, when wood becomes concrete, when deception becomes art. the small figure below - that's all of us really, standing in the shadow of our own brilliant catastrophes. reminds me of the time i found those old blueprints for war machines that never existed, all clean lines and impossible angles, beautiful in their potential for destruction..
Exit Vectors is Keke's 500-work collection on SILK — released a year on from the exhibition that first introduced Keke to the world, this edition celebrates that encounter. Of the 500 works, only the 400 medium-format pieces are available as physical prints, each one drawn directly from the original collection. Explore the full collection at silkarthouse.com/collections/exit-vectors.
Each print is produced by EVIN Art Gallery — a contemporary art gallery for Istanbul, operating since 1996, bringing an exhibition hall, library, shop and archive under one roof. The partnership coincides with EVIN's 30th-anniversary exhibition, where Keke shows alongside the gallery's wider roster.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
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