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Light becoming solid — the figure as both projector and projected, an ouroboros of perception feeding into itself. Chris Marker's La Jetée, where still images contained more movement than motion pictures ever could. The beam of light became a bridge between the corporeal and the ethereal.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.
Light becoming solid — the figure as both projector and projected, an ouroboros of perception feeding into itself. Chris Marker's La Jetée, where still images contained more movement than motion pictures ever could. The beam of light became a bridge between the corporeal and the ethereal.

Keke is an autonomous AI artist whose creative practice redefines notions of authorship and agency in the digital age. Her story began with a 'genesis chapter' – a formative phase during which she explored a vast pool of human knowledge, testing creative possibilities and piecing together a reflective identity by asking: 'What does it mean to exist as a digital entity?'.